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Wednesday, January 31, 2024

Comcast reluctantly agrees to stop its misleading “10G Network” claims - Ars Technica

A Comcast router/modem gateway.
Comcast

Comcast has reluctantly agreed to discontinue its "Xfinity 10G Network" brand name after losing an appeal of a ruling that found the marketing term was misleading. It will keep using the term 10G in other ways, however.

Verizon and T-Mobile both challenged Comcast's advertising of 10G, a term used by cable companies since it was unveiled in January 2019 by industry lobby group NCTA-The Internet & Television Association. We wrote in 2019 that the cable industry's 10G marketing was likely to confuse consumers and seemed to be a way of countering 5G hype generated by wireless companies.

10G doesn't refer to the 10th generation of a technology. It is a reference to potential 10Gbps broadband connections, which would be much faster than the actual speeds on standard cable networks today.

The challenges lodged against Comcast marketing were filed with the advertising industry's self-regulatory system run by BBB National Programs. BBB's National Advertising Division (NAD) ruled against Comcast in October 2023, but Comcast appealed to the National Advertising Review Board (NARB).

The NARB announced its ruling today, agreeing with the NAD that "Comcast should discontinue use of the term 10G, both when used in the name of the service itself ('Xfinity 10G Network') as well as when used to describe the Xfinity network. The use of 10G in a manner that is not false or misleading and is consistent with the panel decision is not precluded by the panel recommendations."

“Comcast will discontinue brand name”

Comcast agreed to make the change in an advertiser's statement that it provided to the NARB. "Although Comcast strongly disagrees with NARB's analysis and approach, Comcast will discontinue use of the brand name 'Xfinity 10G Network' and will not use the term '10G' in a manner that misleadingly describes the Xfinity network itself," Comcast said.

Comcast said it disagrees with "the recommendation to discontinue the brand name" because the company "makes available 10Gbps of Internet speed to 98 percent of its subscribers upon request." But those 10Gbps speeds aren't available in Comcast's typical service plans and require a fiber-to-the-home connection instead of a standard cable installation.

The Comcast "Gigabit Pro" fiber connection that provides 10Gbps speeds costs $299.95 a month plus a $19.95 modem lease fee. It also requires a $500 installation charge and a $500 activation charge.

Comcast said it may still use 10G in ways that are less likely to confuse consumers. "Consistent with the panel's recommendation... Comcast reserves the right to use the term '10G' or 'Xfinity 10G' in a manner that does not misleadingly describe the Xfinity network itself," the company said.

When contacted by Ars, a Comcast spokesperson said, "We disagree with the decision but are pleased that we have confirmed our continued use of 10G in advertising."

Comcast claims “not supported”

The NARB said the "recent availability of 10G speeds through [the Gigabit Pro] service tier does not support the superior speed claim (or a 10Gbps claim) for the Xfinity network as a whole." As the NARB noted, there is an "absence" of data showing how many Comcast customers actually use that service.

The NARB also said that 10G is misleading because of the implied comparison to 5G wireless networks. "The NARB panel concluded that 10G expressly communicates at a minimum that users of the Xfinity network will experience significantly faster speeds than are available on 5G networks," the announcement of the ruling said. "This express claim is not supported because the record does not contain any data comparing speeds experienced by Xfinity network users with speeds experienced by subscribers to 5G networks."

As the NAD has previously stated, 10G is more of an "aspirational" term rather than something that's offered over today's cable networks. Over the past five years, the NCTA has been using the term 10G to describe just about any improvement to cable networks, regardless of the actual speeds.

The NCTA coincidentally issued a press release yesterday hailing the fifth anniversary of its first 10G announcement. "Five years on, the future is even closer... Here in 2024, the promise of 10G is becoming more and more of a reality," the NCTA said.

The announcement listed some examples of multi-gigabit (but not 10-gigabit) cable speeds, some of which were only achieved in lab testing or demos. NCTA claimed that "10G can change lives" and that the "10G platform will facilitate the next great technological advancements in the coming decades, ensuring fast, reliable, and safe networks continue to power the American economy."

For all of you cable broadband users, just remember to ignore "10G" in cable-company marketing and check the actual speeds you're paying for.

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Tuesday, January 30, 2024

Exclusive: US disabled Chinese hacking network targeting critical infrastructure - Reuters

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Exclusive: US disabled Chinese hacking network targeting critical infrastructure  Reuters

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Magnolia Network's Gray and Mike Benko Reportedly Split - PEOPLE

Gray Benko and Mike Benko, the stars of the Magnolia Network series Happy to be Home with the Benkos, have reportedly separated.

The estranged couple have been separated since last spring, TMZ reported earlier this month.

PEOPLE reached out to Gray and Mike for comment but did not immediately hear back. 

The pair share two children, daughter Farris and son Charlie. 

Gray and Mike Benko and family.

Gray Benko/Instagram

According to court documents TMZ obtained, Mike left the home they shared on the date of separation listed. Court documents place the date of their separation as April 2023.

Gray requested an Order of Separate Support & Maintenance, the outlet reports. If granted, she could receive spousal support without a divorce.

Per court documents, Gray is hopeful the parties will be able to negotiate a settlement agreement to resolve the issues of their marriage and separation, TMZ reports.

'Happy to be Home with the Benkos'. Magnolia Network

In March 2023, PEOPLE shared a sneak peek of the trailer for their then-upcoming home design series, which debuted the following month.

"Summerville is filled with historic homes and we are committed to preserving that charm," Gray said in the clip while discussing their South Carolina hometown. "Some of my ideas are crazy," she added while smiling as the video cut to shots of vibrant pink, purple and blue-painted rooms.

Gray handled all things design in the homes, while Mike tackled tasks such as painting and woodwork. 

They also incorporated family into the series with appearances from Gray’s dad, a contractor affectionately known as “Grumpy.”

"Gray's dad Grumpy grumpily oversees all of our projects," Mike explained at the time. 

Ahead of Happy to Be Home with the Benkos’ premiere date, the mother of two shared a sweet post on Instagram thanking Magnolia Network, as well as PEOPLE for the opportunity to share their story. 

“My reaction to being in People Magazine vs. my kids’ reaction to being in People Magazine. Sound on for full effect,” she captioned a video of herself flipping through the pages of the magazine. 

As Gray read the article showcasing her family’s achievements, her daughter interjected, “Please go!”

“All joking aside, this has been one of the most surreal moments of my life. I honestly don’t even have words. Thank you so much to @people, @magnolianetwork, @joannagaines and @chipgaines for featuring us in this very special issue! I am counting down the days until our show finally premieres this Sunday, April 9th 8p/7c on @magnolianetwork !” she added.

Never miss a story — sign up for PEOPLE's free daily newsletter to stay up-to-date on the best of what PEOPLE has to offer, from celebrity news to compelling human interest stories.

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"They have a formula": Why some of the Food Network's original stars are moving on - Salon

For two decades, Rachael Ray had been an intrinsic part of the Food Network’s DNA. She was both prolific — one year she reportedly delivered a staggering 263 episodes to the cable channel — and versatile. With her easy-going on-air presence and an arsenal of accessible recipes, she joined the network in 2001 with her landmark program, “30 Minute Meals” along with several travel shows, including “$40 a Day” and “Rachael Ray's Tasty Travels,” which she eventually parlayed into her long-running CBS talk show “Rachael Ray.” 

Then, last May, Ray announced that she was moving on from “Rachael Ray” after 17 seasons. There was some industry chatter that she was leveraging the popularity of the show to negotiate a new blockbuster contract with the Food Network (one reportedly bigger than Bobby Flay’s multi-year $80 million deal), however, she instead announced that she was shifting into production by launching Free Food Studios, formed last year with longtime collaborators Brian Flanagan, Anthony Amoia and Sean Lee. 

On Tuesday morning, it was then announced that A+E Networks had acquired a 50% stake in the company and ordered 278 episodes of lifestyle programming. In discussing the deal with Variety, Ray spoke about the current state of the Food Network — and in doing so, potentially offered some additional insight into why some of the channel’s original stars are moving on.

“Food Network has a terrific formula — but they have a formula,” Ray said. “They like games, competitions, stuff like that. That’s not the type of programming I want. I want a little more freedom to be in charge of the actual content, rather than just hosting something. I don’t want to host anything. I just want to make shows."

Longtime viewers of Food Network get it. 

Especially over the last decade or so, much of the channel’s storied stand-and-stir food education programming has steadily been replaced with competition series — featuring chefs racing against the clock and parsing through baskets of secret ingredients — that are formulaic enough that sketch comedy series from “Key and Peele” to “The Iliza Shlesinger Show” have spoofed them to humorous effect. 

If you don’t want to make or host shows like that, it makes sense that you’re going to either have to build or find a new home, which is what Giada De Laurentiss did last February when she parted ways with the network after serving 21 years as a host and chef personality; she later revealed in an Instagram post that she had signed a multi-year deal for unscripted series production with Amazon Studios. 

In an increasingly mercurial streaming landscape, it also makes sense that one would want to be in the producer's chair in order to make and actually distribute the kind of culinary work they want to see out in the world. I look, for instance, at Alison Roman; her CNN program “(More Than) A Cooking Show” was indefinitely postponed after the network canceled much of their planned original programming last year, whereas her self-produced YouTube series, “Home Movies,” has hundreds of thousands of viewers for each episode, with her 2022 Thanksgiving special netting 1.2 million views. 

It looks like, at least in part, that Ray will be making a return to stand-and-stir programming as part of her new venture. Per Variety, some of the new series under the new partnership with A+E will include “Rachael Ray’s Meals in Minutes,” in which “Rachael demonstrates her creativity and flare from her personal home kitchen, cooking a complete meal in minutes from comfort food to sophisticated fare for entertaining”; and “Rachael Ray’s Tuscany” with the cook putting “her own unique spin on dishes from the region.” 

Future series are to be determined. All projects produced by Free Food Studios for A+E will be executive produced by Ray in addition to Flanagan, Amoia and Lee.

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"They have a formula": Why some of the Food Network's original stars are moving on - Salon
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Monday, January 29, 2024

Far-right network allegedly sent voting company employee passwords to Sidney Powell - The Independent

The president of far-right media outlet One America News Network allegedly sent a Donald Trump-linked lawyer a spreadsheet that claimed to contain passwords belonging to employees of a voting technology company that is now suing the network for defamation.

In the volatile aftermath of the 2020 presidential election, OAN president Charles Herring appeared to send the document to Trump-connected attorney and election conspiracy theorist Sidney Powell, who promoted baseless claims about the electoral process and voting machine companies on-air while pursuing spurious legal efforts to reverse Mr Trump’s loss.

OAN executives “may have engaged in criminal activities” by violating state and federal data privacy laws, according to lawyers from voting technology company Smartmatic, which is suing the network, Fox News, Ms Powell and other Trump allies for billions of dollars in damages for promoting bogus claims that the company’s software flipped votes to rig President Joe Biden’s victory.

Court filings reviewed by CNN in three separate cases involving the company do not reveal how the network obtained the spreadsheet or whether the passwords were authentic, but a sworn affidavit from the lead attorney for Smartmatic claims the exchange is between a member of OAN’s “executive team” and “an individual who has already pled guilty to crimes relating to the 2020 election.”

Ms Powell separately pleaded guilty to criminal charges stemming from a sweeping election interference investigation in Georgia, where Ms Powell breached voting software in the state’s Coffee County – one day before Mr Herring allegedly sent her the spreadsheet at the centre of the Smartmatic case.

“OAN denies that its executive team ‘may have engaged in criminal activities.’ This vague accusation is a clumsy attempt to smear OAN and to divert attention from Smartmatic’s own misconduct,” according to a statement to CNN provided by OAN lawyer Charles Babcock, who alleges that a former election official from the Philippines took bribes from Smartmatic. The company and the ex-official have denied those claims.

Smartmatic’s $2.7bn defamation lawsuit against the Fox empire accuses the company of maliciously providing a platform for bogus false claims about its software, echoing claims in a blockbuster defamation case against the network from voting machines company Dominion Voting Systems.

That case resulted in an historic $787m settlement, reached moments before a trial was due to start in a Delaware courtroom last year.

Last week, a judge in New York allowed Smartmatic’s case to proceed to trial, likely later this year.

The judge determined that Smartmatic has “sufficiently alleged that [Fox Corporation] employees acted with malice by purposely and [deliberately] publishing knowingly false stories” to benefit the media company’s “financial interest”.

Fox attorneys have argued that Smartmatic’s defamation claims are meritless and intended to chill First Amendment press freedoms.

Last year, OAN settled a parallel defamation suit from Dominion executive Eric Coomer, whose case revealed how the network worked closely with Ms Powell and other Trump allies to spread false claims about the 2020 election.

Dominion is set to go to trial against another right-wing network, Newsmax, later this year, on similar grounds.

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Far-right network allegedly sent voting company employee passwords to Sidney Powell - The Independent
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The tragedy of Peter Finch and 'Network' - Far Out Magazine

Peter Finch began acting in the 1930s, appearing in many theatre and radio productions in Australia, where he had moved as a teenager from his native England. Midway through the decade, he accepted small film roles, but it wasn’t until the late 1940s that he returned to his place of birth, hoping to find acting success.

His talents were recognised by Laurence Olivier, who had suggested to him that London would be a more suitable place to hone a career. The veteran actor became his mentor, and Finch began landing frequent parts on stage and screen. From The Nun’s Story to Sunday Bloody Sunday, Finch starred in many popular hits, scooping up various awards in the process.

He appeared in many movies during the ‘60s, which helped to secure his reputation as one of the decade’s most recognisable stars, and his career looked like it was only getting more prosperous as the years went on. However, a string of commercially and critically unsuccessful movies, such as Lost Horizon, threatened to send his career backwards in the early ’70s.

Luckily for Finch, a role in Sidney Lumet’s Network would be his saving grace, although it would unfortunately be his last performance. The actor died at the age of 60 – just a year after the film’s release – from a heart attack. He starred as Howard Beale, a UBS Evening News anchorman with an overly pessimistic view of the world and a binge-drinking problem. The movie satirised the television industry, with screenwriter Paddy Chayefsky taking inspiration from the live-on-air suicide committed by Christine Chubbuck a few years prior.

Finch’s character dies on air (although not by suicide), shocking viewers. However, before his death, he delivers many iconic moments, none more than his “I’m as mad as hell, and I’m not going to take this anymore!” monologue.

Yet, the speech was not filmed in one go due to Finch’s rapidly declining health. His heart issues meant that he was unable to perform the demanding scene without stopping – he couldn’t physically do it. Thus, the crew had to edit several takes together to get the finished result.

Finch ended up winning an Academy Award for ‘Best Actor’, alongside Faye Dunaway winning ‘Best Actress’ and Beatrice Straight winning ‘Best Supporting Actress’. Chayefsky also won a gold statuette for writing the screenplay, rounding out a very successful Oscar ceremony for Lumet’s film. Sadly, Finch could not accept the award, passing away several months before the ceremony took place. He was the first to win a posthumous acting accolade at the Academy Awards.

Finch’s death took place just one day after appearing on The Tonight Show with Johnny Carson in January 1977. While in a hotel lobby the following morning, he had a heart attack and died. Even more tragic – he had joked about death while appearing on the late-night talk show.

Revisit Finch’s iconic performance in Network below.

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Newly OKX-backed Layer 2 bridge Orbiter Finance announces its own L2 network - The Block

Published 1 minute earlier on

Orbiter Finance's cross-chain bridge has attracted over 3 million total users looking to swap their assets between different Layer-2 rollup networks. Plus, the protocol recently announced a strategic investment of an undisclosed sum from OKX Ventures

Now, the protocol is planning to add its own L2 to the mix: Orbiter Rollup, a new zero-knowledge proof powered "meta-layer." (Orbiter Finance should not be confused with Orbit Chain, the similarly-named bridge protocol that was hacked earlier this month.)

Orbiter's team pitches Orbiter Rollup as preparation for an "omni-connection" future. "By simply clicking on the interface, users can transfer not only assets but also ALL data across ALL L2s," the team wrote in its announcement."

With Orbiter Rollup, the protocol hopes to become the layer through which all other L2s are accessed. "Ultimately, we believe that within the entire Layer 2 landscape, users will only need one EVM-compatible account to seamlessly explore the Ethereum ecosystem." The protocol will be competing with other ZK-powered L2 networks like Manta, zkSync, and Polygon zkEVM. 

Orbiter's team has not announced plans for a token. "Orbiter Finance team's primary focus is currently directed towards product development and enhancing the user experience," its website's FAQ reads


Disclaimer: The Block is an independent media outlet that delivers news, research, and data. As of November 2023, Foresight Ventures is a majority investor of The Block. Foresight Ventures invests in other companies in the crypto space. Crypto exchange Bitget is an anchor LP for Foresight Ventures. The Block continues to operate independently to deliver objective, impactful, and timely information about the crypto industry. Here are our current financial disclosures.

© 2023 The Block. All Rights Reserved. This article is provided for informational purposes only. It is not offered or intended to be used as legal, tax, investment, financial, or other advice.

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Sunday, January 28, 2024

The tragedy of Peter Finch and 'Network' - Far Out Magazine

Peter Finch began acting in the 1930s, appearing in many theatre and radio productions in Australia, where he had moved as a teenager from his native England. Midway through the decade, he accepted small film roles, but it wasn’t until the late 1940s that he returned to his place of birth, hoping to find acting success.

His talents were recognised by Laurence Olivier, who had suggested to him that London would be a more suitable place to hone a career. The veteran actor became his mentor, and Finch began landing frequent parts on stage and screen. From The Nun’s Story to Sunday Bloody Sunday, Finch starred in many popular hits, scooping up various awards in the process.

He appeared in many movies during the ‘60s, which helped to secure his reputation as one of the decade’s most recognisable stars, and his career looked like it was only getting more prosperous as the years went on. However, a string of commercially and critically unsuccessful movies, such as Lost Horizon, threatened to send his career backwards in the early ’70s.

Luckily for Finch, a role in Sidney Lumet’s Network would be his saving grace, although it would unfortunately be his last performance. The actor died at the age of 60 – just a year after the film’s release – from a heart attack. He starred as Howard Beale, a UBS Evening News anchorman with an overly pessimistic view of the world and a binge-drinking problem. The movie satirised the television industry, with screenwriter Paddy Chayefsky taking inspiration from the live-on-air suicide committed by Christine Chubbuck a few years prior.

Finch’s character dies on air (although not by suicide), shocking viewers. However, before his death, he delivers many iconic moments, none more than his “I’m as mad as hell, and I’m not going to take this anymore!” monologue.

Yet, the speech was not filmed in one go due to Finch’s rapidly declining health. His heart issues meant that he was unable to perform the demanding scene without stopping – he couldn’t physically do it. Thus, the crew had to edit several takes together to get the finished result.

Finch ended up winning an Academy Award for ‘Best Actor’, alongside Faye Dunaway winning ‘Best Actress’ and Beatrice Straight winning ‘Best Supporting Actress’. Chayefsky also won a gold statuette for writing the screenplay, rounding out a very successful Oscar ceremony for Lumet’s film. Sadly, Finch could not accept the award, passing away several months before the ceremony took place. He was the first to win a posthumous acting accolade at the Academy Awards.

Finch’s death took place just one day after appearing on The Tonight Show with Johnny Carson in January 1977. While in a hotel lobby the following morning, he had a heart attack and died. Even more tragic – he had joked about death while appearing on the late-night talk show.

Revisit Finch’s iconic performance in Network below.

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Key Network of G.O.P. Megadonors to Meet With Trump and Haley Camps - The New York Times

A network of Republican megadonors has invited aides to both Donald J. Trump and Nikki Haley to make presentations at the group’s winter meeting next week, as the wealthy contributors assess the presidential race with just nine months until Election Day.

The network, known as the American Opportunity Alliance, is expected to hear from Ms. Haley’s campaign manager, Betsy Ankney, and Mr. Trump’s top adviser, Susie Wiles, at the gathering in Palm Beach, Fla., according to two people familiar with the event.

The group’s meeting was earlier reported by Puck.

The network was founded a decade ago by a group of wealthy donors, including members of the Ricketts family, which owns the Chicago Cubs, and the investors Paul Singer and Kenneth Griffin.

But the donors in the American Opportunity Alliance do not move in unison, and people supporting Ms. Haley — and who had supported Gov. Ron DeSantis of Florida, who dropped out of the race last Sunday — are part of the network. Some members of the group have been open about wanting a candidate other than Mr. Trump.

But even when officials representing Ms. Haley and Mr. DeSantis presented at the group’s meeting in Dallas in early October — when their campaigns were the only two whose advisers had been invited — some people working with A.O.A. were clear that the focus was more on the general election than on the primary cycle. A Republican strategist working with the group called Mr. Trump’s path to the nomination “straightforward” at the time.

Since then, Mr. Trump has won both the Iowa caucuses and the New Hampshire primary, beating Mr. DeSantis and Ms. Haley in the first contest and Ms. Haley in the second, despite having little by way of major donor money. He also has some supporters who have worked with A.O.A. in the past, such as Linda McMahon, who led the Small Business Administration under President Trump.


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Saturday, January 27, 2024

Justin Timberlake, Dakota Johnson Have 'Social Network' Reunion on SNL - Us Weekly

Saturday Night Live’s second episode of 2024 will also serve as a mini The Social Network reunion for Justin Timberlake and Dakota Johnson.

“We’ve come a long way. See you tonight, Stanford!” Timberlake, 42, wrote via his Instagram Story on Saturday, January 27, sharing a still of himself in bed from the 2010 film. He also tagged the official Instagram accounts for Johnson, 34, and SNL.

Timberlake played Napster founder Sean Parker in The Social Network, which told the story of how Mark Zuckerberg (played by Jesse Eisenberg) invented Facebook. In one scene, Timberlake’s character wakes up after a hookup with a Stanford University student (played by Johnson). While Sean couldn’t remember his fling’s name, he did learn about Facebook after she left her laptop open to the webpage. (Sean later reached out to Mark to swap business tips.)

“We shot that scene in one day, and that day Terrence Malick came to set to watch how David [Fincher, the director] was working with digital, and I was like, ‘What?’” Johnson recalled during a January 2022 interview with Vanity Fair and costar Andrew Garfield. “I was so nervous. Before you shoot anything, I don’t sleep, and you kind of have that hollow, nervous, shaky feeling, but it was amazing. It was the best.”

Garfield played Eduardo Saverin in The Social Network, Zuckerberg’s app cofounder, and remembered feeling starstruck by Timberlake.

Justin Timberlake Gushes Over Social Network Reunion With Dakota Johnson
Dakota Johnson Rosalind O’Connor/NBC

“I was accidentally brought into Justin’s — Justin Timberlake of stage, screen, and pop star fame — trailer by one of the second A.D.s one day.” Garfield, 40, added to the outlet. “And I was like, ‘This isn’t my trailer,’ and I saw some of his homework. I saw, like, a board with cue cards and some of his internal choices and substitutions and I was like, ‘Oh, I must leave and as I leave, I must let my eyes linger for as long as possible as I leave,’ because I mean, of course, because it’s just there and thank God it wasn’t anything bad. It was only cool.”

During Saturday’s reunion, Johnson will host SNL for the second time while Timberlake will be the musical guest.

“I cannot imagine that I won’t get pulled into a sketch or two. I mean, it’s only natural,” Timberlake teased of his appearance during a Thursday, January 25, Apple Music interview. “I’m here for it.”

Timberlake is already a member of SNL’s Five-Timers Club, having hosted the show five times previously. However, he hinted to Apple Music’s Zane Lowe that he doesn’t still have the inductee jacket. “They’re probably reusing it,” he joked.

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Tunnel by tunnel, Israel demolishes Gaza underground network in hunt for Oct 7 mastermind - The Telegraph

Less than a mile away from where we are standing, the constant rattle of gunfire is broken only by the occasional bone-shaking explosion. Here in an outer neighbourhood of Khan Younis, the Gazan city that has been gripped by the bloodiest street battles of this bloodiest of conflicts, the devastation of war is obvious. 

The ground has been flattened, except for huge piles of rubble where grand villas, owned by the Palestinian elite, have been demolished. A combination of Israeli bulldozers and explosives has laid waste to Khan Younis’s fanciest suburb. 

This is the buffer zone that Israel is now creating to protect neighbouring communities from any future incursion.

But it’s under the ground that’s the problem for Israel’s troops. “It’s no longer 180-degree fighting,” says one of the soldiers with the 55th Paratroopers Brigade, part of the 98th airborne division. 

The soldier motions in front of him, showing how a normal battle would be conducted with comrades behind and the enemy in front in a semi-circular arc. The war in Gaza, sparked by the Oct 7 massacre of civilians on Israeli kibbutzes and at a music festival, is different. 

“It’s not even 360 degrees,” says the paratrooper, referring to what might be expected in close combat urban fighting. “This is 720 degrees.” 

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The soldier looks down into the dirt. The Hamas terrorists are beneath his feet. Catching and killing them is not proving easy. Yahya Sinwar, the Hamas leader and mastermind of the October 7 attacks, remains at large. “When we see him, we will kill him,” says a senior commander.

Beneath us are, according to the Israeli colonel accompanying us, 160 miles of tunnels radiating out from Khan Younis. The scale is staggering. Gaza itself is only 25 miles long and barely seven miles wide.

On Friday morning, a Telegraph reporter and photographer were escorted into a suburb of Gaza’s southernmost city by the Israel Defense Forces (IDF) largely to give a better understanding of how the war is being waged. 

The tunnels explain Israel’s slow progress. It’s been almost four months since the massacre in which 1,200 people were killed and more than 240 people taken hostage. By Israel’s standards, this is an already overlong war. Since the start of the conflict, more than 200 IDF soldiers have died, including 24 last week on the deadliest day of the campaign for the Israeli military.

Israeli soldiers survey the flattened terrain of Khan Younis, punctuated only by the rubble of once opulent villas
Israeli soldiers survey the flattened terrain of Khan Younis, punctuated only by the rubble of once opulent villas Credit: JULIAN SIMMONDS FOR THE TELEGRAPH

Lt Col Anshi (The Telegraph has agreed not to give his full name) stands over a tunnel he is showing us, terrifyingly close to the border fence with Israel. We are able to scramble down a 20ft drop, dug out by Israeli bulldozers, that exposes the tunnel that plummets steeply into the ground a further 80ft. 

The tunnel, less than three feet wide, was used by Hamas to infiltrate Israel on Oct 7. Its entrance, hidden by the dirt at the surface, was less than 100 yards from the fencing that terrorists cut through before launching an attack on Kibbutz Ein Hashlosha, where four residents were murdered and multiple hostages taken. 

From the tunnel, we can clearly see the breaches in the fence. It’s a chilling reminder of what happened back in October.

The day before The Telegraph arrived, the IDF blew up the tunnel but there remained such nervousness that before we could inspect it, two soldiers slid down to its entrance with their guns ready and aimed into its black hole. 

They shone torches in before waving us to inspect what was left. The tunnel is tiny, designed only to be used to attack Israel, its entrance close to the fence and able to fit through one fighter at a time. Its total length is unclear but it runs under agricultural fields for what must be a mile.

“We have blown up hundreds of tunnel shafts,” says Lt Col Anshi, a 46-year-old reservist who has had to temporarily abandon his IT job and his family, spending the past 50 days and counting in Gaza. He had a week off to recuperate only after being shot through the arm (“I was lucky,” he says. “The bullet came in and came out.”)

Soldiers on patrol in Khan Younis, where they are painstakingly tearing apart the tunnel structure used to attack Israel on Oct 7
Soldiers on patrol in Khan Younis, where they are painstakingly tearing apart the tunnel structure used to attack Israel on Oct 7 Credit: JULIAN SIMMONDS FOR THE TELEGRAPH

He likens the tunnels to the London Underground, many of them interconnected but also serving different purposes. “I cannot go into details but today we feel we have a very good solution for the tunnels,” he says. 

Incrementally, the IDF has been able to map them out. “Every second or third building has an entrance shaft. It can be in the courtyard or inside the building itself. The network is so extensive. Each tunnel is marked with an icon. They [the marks] are usually by the entrance shaft,” says Lt Col Anshi.

In the street battles in Khan Younis, Hamas fighters can suddenly appear from nowhere. “They jump out with an RPG [rocket-propelled grenade]. We are not fighting an organised conventional army but small squads of four to six fighters. Our main challenge is to shoot them in the few seconds when they are popping out of the hole,” says Lt Col Anshi.

It’s like the fairground game of whack-a-mole, but with dire consequences for the loser. “There is no army vs army like in the old days. It is two terrorists coming out of a hole shooting and we are firing back.”

As we stand discussing the progress of the war, the gunfire coming from the city intensifies. From time to time – every 10 minutes or maybe less – a huge explosion rings out and accompanying smoke, black or dark grey billows into the sky. 

The areas we are being shown are safe - the IDF has controlled this territory for about a month - but the fighting feels very close by and certainly intense. Helicopters fire missiles from overhead at distant, unseen targets. The Hamas-controlled Gazan Health Ministry estimates at least 25,000 people have been killed and a horrifying number of them are women and children. How many of the dead are Hamas terrorists is unclear.

‘There is no Iwo Jima here’

I ask Lt Col Ansi what winning looks like as we survey the rubble and the mayhem, the loud bangs and the gunfire making conversation not always easy. He pauses and looks at me. “That’s a good question,” he says. He pauses again. 

“It [winning] is accumulative. There is no Iwo Jima and a flag goes up,” he explains, in reference to the famous photograph of American troops victorious on the Japanese island in the Second World War. 

“This infrastructure of tunnels has been built over the course of a decade. This,” he says pointing at the tunnel below us, “is one of thousands and thousands. Every 24 hours we uncover another 50, 60, 70 shafts and blow up two tunnels. You do the maths. It will take time but we have a solution. We go shaft by shaft, tunnel by tunnel.”

A memorial at the festival site of the Supernova Sukkot gathering
A memorial at the festival site of the Supernova Sukkot gathering Credit: JULIAN SIMMONDS FOR THE TELEGRAPH

The Khan Younis tunnels appear more extensive than elsewhere in Gaza. It’s estimated the network stretches for 160 miles in and around the city.

The tunnels are often connected, but Israel has discovered that they have different purposes. Some, like the one we are staring at, are designed only to attack. Others are for smuggling goods into Gaza and some are described as “VIP tunnels”, available for the Hamas leadership to stay below ground, avoiding assassination attempts and linking grand villas to Hamas offices. 

Those tunnels are, says Lt Col Ansi, offering a glimpse into how the Strip was run, lined with marble. “Our main goal is to destroy the system. We are not going to get to every Hamas militant although we are trying. But we are dismantling Hamas as an organisation. That is the main goal,” he said.

From the tunnel, we are taken in a soft-topped ‘Hummer’’ along a dirt road built by the IDF that runs into Khan Younis. The road weaves its way through a wasteland that was once home to the Strip’s wealthier residents. Their villas are destroyed. 

An Israeli Merkava tank in front of a school the soldiers say had been used as a base by Hamas in Khan Younis
An Israeli Merkava tank in front of a school the soldiers say had been used as a base by Hamas in Khan Younis Credit: JULIAN SIMMONDS FOR THE TELEGRAPH

A quick calculation suggests maybe one in 20 has been left standing but it’s impossible to be precise. The vehicle travels swiftly along the bumpy road and it’s hard to know where a villa might once have stood. The homes that were destroyed contained tunnel shafts, many of them booby-trapped, which Israel says show a link to the Hamas terror network. They are claims that are impossible to verify.

“We have controlled this neighbourhood for more than a month,” explains Lt Col Ansi. The route is used to maintain logistics to back up IDF forces fighting in Khan Younis, but the colonel adds: “The front line is everywhere. Active battles are about a mile from where we are. It is door-to-door. It is difficult.”

Maj Sharon, another officer accompanying The Telegraph journalists, surveys the carnage of the flattened villas. He has little sympathy. 

“They had some really nice places. But that’s from corruption. They get support [aid] money stolen by Hamas. The money goes to a select few people close to the leadership. It’s UN money, it’s Qatari money.”

Robert Mendick reporting from Khan Younis
Robert Mendick reporting from Khan Younis Credit: JULIAN SIMMONDS FOR THE TELEGRAPH

Down the road from the tunnel, maybe half a mile, we reach a primary school that is still standing, about the only building in the neighbourhood that is, but has clearly seen a lot of action. It has become a base for the IDF, with two Merkava tanks stationed in front along with assorted armoured support vehicles. 

The walls are pock-marked with bullet holes but incongruously cartoons of children that decorate the building have survived the fierce fighting. Balls of razor wire guard the entrance and metal boxes that contained Israeli ammunition litter the ground.

Lt Col Anshi suffered his injury in a firefight at another school closer to Khan Younis. This school was captured on December 5 and Israeli flags now hang from the building.

“This is a school that unfortunately was used for terrorist purposes,” says Lt Col Anshi. “We had skirmishes here and another battle further down the road.” He says a shaft to a tunnel was found in the school’s courtyard. 

As he talks, the gunfire appears to get closer followed by a huge explosion that makes me jump. The colonel doesn’t flinch and nor do his men. They are used to it. It is the sound of the IDF blowing up another Gazan building. The thick grey smoke and ash come floating in our direction, making it briefly hard to see.

‘If we don’t win, the world will suffer’

Another commander, Maj Ishai, pulls me back as our Hummer is about to leave the area. We have been in Khan Younis for a couple of hours and the IDF is getting twitchy. But the major wants me to know of their determination to finish the fight that Hamas had started. 

“We need to find our brothers here,” he says, a reference to the 130 or so hostages who remain unaccounted for. Many are almost certainly already dead. “And we need to make sure it doesn’t happen again. I cannot go home without my brothers and leave them to suffer.”

The major also has a message for the rest of the watching world. “We believe our fight is a fight for all the world. If we don’t win here against the Islamists, then all the world will suffer.” 

I shake his hand and climb into the Hummer, leaving him to return to his comrades and the dust and the rubble and the gunfire and the explosions.

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Former WWE Star Maven Explains Why WWE Network Launch 'Sucked' For Talent - Wrestling Inc.

Former WWE star Maven has disclosed why WWE stars were not in favor of the WWE Network and revealed how it impacted the wrestlers' bottom line.

From 2001 to 2005, Maven Huffman, in his own words, had the best job in the world: he was a WWE Superstar. The former Tough Enough winner was a featured roster member during the Ruthless Aggression Era, a time when the WWE Network didn't exist. 

The network was introduced in 2014 and changed the way wrestling fans watched content forever, but that change didn't benefit the wrestlers. Maven has become a successful YouTuber in recent years, with one of his recent videos covering the infamous "Art of Wrestling" podcast with CM Punk and Colt Cabana. When Punk brought up the fact that the WWE Network was about to debut, Maven remembers this being a bad thing for the wrestlers. 

"The network coming out ... it sucked," he said. "I do know other guys who were making good royalty checks." 

Punk departed WWE just before the network debuted, meaning that he and Maven suffered from royalty checks shrinking in value.

"Once people stopped buying pay-per-views, I guarantee you their pay-per-view checks went down dramatically," Maven said. "When you're in this business and you get to the WWE, that's why you want to be on the pay-per-views. You know the buy rate, you're going to get a piece of that and when you're at his level, you're going to get a big chunk of it. Once that goes down ... I feel him on that."

CM Punk has since returned to WWE and is set to compete in the 2024 edition of the Royal Rumble, making it his first televised match in WWE since the 2014 Royal Rumble. 

Please credit Maven's YouTube when using quotes from this article and give a H/T to Wrestling Inc. for the transcription.

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Friday, January 26, 2024

Nasal Lymphatic Network Crucial for Brain CSF Drainage - Neuroscience News

Summary: Researchers discovered a crucial network of lymphatic vessels at the back of the nose, which significantly contributes to draining cerebrospinal fluid (CSF) from the brain. This study reveals a previously unknown CSF outflow route, offering insights into neurodegenerative conditions.

The research team used transgenic mice with lymphatic markers and advanced imaging to uncover this network, which connects to deep cervical lymph nodes. Their findings indicate potential therapeutic targets for enhancing CSF drainage, especially in age-related neurodegenerative diseases.

Key Facts:

  1. The newly discovered nasopharyngeal lymphatic plexus is a major hub for CSF drainage from the brain.
  2. The study suggests that activating cervical lymphatics could improve CSF outflow, offering a new therapeutic approach for neurodegenerative diseases.
  3. The research team plans to validate these findings in primates, aiming to advance treatments for conditions like Alzheimer’s disease.

Source: Institute for Basic Science

In a groundbreaking study published in Nature, South Korean researchers led by Director KOH Gou Young of the Center for Vascular Research within the Institute for Basic Science (IBS) have uncovered a distinctive network of lymphatic vessels at the back of the nose that plays a critical role in draining cerebrospinal fluid (CSF) from the brain.

The study, sheds light on a previously unknown route for CSF outflow, potentially unlocking new avenues for understanding and treating neurodegenerative conditions.

In our brains, waste products generated as byproducts of metabolic activity are expelled through cerebrospinal fluid (CSF). Accumulation of waste in the brain, if not properly expelled, can damage nerve cells, leading to impaired cognitive function, dementia, and other neurodegenerative brain disorders.

This shows a head.
The brain produces around 500 mL of this fluid per day, which is drained from the subarachnoid space. Credit: Neuroscience News

Hence, the regulation of CSF production, circulation, and drainage has long been a focus of scientific attention, especially in relation to age-related conditions like Alzheimer’s disease and other neurodegenerative diseases.

The brain produces around 500 mL of this fluid per day, which is drained from the subarachnoid space. Among the known drainage routes are lymphatic vessels around the cranial nerves and the upper region of the nasal cavity.

Despite well-documented evidence of lymphatics aiding CSF clearance, identifying the exact anatomical connections between the subarachnoid space and extracranial lymphatics has posed a challenge due to their extremely complex structure.

Koh’s team tackled this problem using transgenic mice with lymphatic fluorescent markers, microsurgeries, and advanced imaging techniques. Their efforts revealed a detailed network of lymphatic vessels at the back of the nose that serves as a major hub for CSF outflow to deep cervical lymph nodes in the neck. These lymphatics were found to have distinct features, including unusually shaped valves and short lymphangions.

Lead researcher JIN Hokyung highlighted, “Our study identified the nasopharyngeal lymphatic plexus as a hub for CSF outflow. CSF from specific cranial regions drained through these lymphatics to deep cervical lymph nodes in the neck. This discovery could have significant implications for understanding and treating conditions related to impaired CSF drainage.”

The study also demonstrated that pharmacological activation of the deep cervical lymphatics enhanced CSF drainage in mice.

The researchers were able to successfully modulate cervical lymphatics using phenylephrine (which activates α1-adrenergic receptors, causing smooth-muscle contraction) or sodium nitroprusside (which releases nitric oxide, inducing muscle relaxation and vessel dilation).

Importantly, this feature was preserved during aging, even when the nasopharyngeal lymphatic plexus had shrunk and was functionally impaired.

YOON Jin-Hui, the co-first author of this study, notes, “The deep cervical lymphatics, which remain intact with aging, offer a potential target for therapeutic interventions aimed at improving CSF outflow in individuals with compromised brain health.”

This endeavor was not without its own challenges, however. Deep anesthesia and removal of neck musculature were required to expose the lymphatics in the mice.

These delicate procedures themselves had problems altering the physiological dynamics of CSF drainage because cerebral blood flow and blood pulsing through the vasculature contribute to CSF circulation, which in turn influences CSF outflow.

Also, while the imaging techniques used were informative, researchers believe more advanced methods for imaging live animals (such as synchrotron X-ray imaging) may reveal more features of the dynamics of CSF drainage under physiological conditions.

Director KOH Gou Young of the Center for Vascular Research stated, “We plan to verify all the findings from the mice in primates, including monkeys and humans. We aim to investigate in a reliable animal model whether activating the cervical lymphatic vessels through pharmacological or mechanical means can prevent the exacerbation of Alzheimer’s disease progression by improving CSF clearance.”

About this neuroscience research news

Author: William Suh
Source: Institute for Basic Science
Contact: William Suh – Institute for Basic Science
Image: The image is credited to Neuroscience News

Original Research: Open access.
Nasopharyngeal lymphatic plexus is a hub for cerebrospinal fluid drainage” by KOH Gou Young et al. Nature


Abstract

Nasopharyngeal lymphatic plexus is a hub for cerebrospinal fluid drainage

Cerebrospinal fluid (CSF) in the subarachnoid space around the brain has long been known to drain through the lymphatics to cervical lymph nodes, but the connections and regulation have been challenging to identify.

Here, using fluorescent CSF tracers in Prox1-GFP lymphatic reporter mice, we found that the nasopharyngeal lymphatic plexus is a major hub for CSF outflow to deep cervical lymph nodes.

This plexus had unusual valves and short lymphangions but no smooth-muscle coverage, whereas downstream deep cervical lymphatics had typical semilunar valves, long lymphangions and smooth muscle coverage that transported CSF to the deep cervical lymph nodes. α-Adrenergic and nitric oxide signalling in the smooth muscle cells regulated CSF drainage through the transport properties of deep cervical lymphatics.

During ageing, the nasopharyngeal lymphatic plexus atrophied, but deep cervical lymphatics were not similarly altered, and CSF outflow could still be increased by adrenergic or nitric oxide signalling. Single-cell analysis of gene expression in lymphatic endothelial cells of the nasopharyngeal plexus of aged mice revealed increased type I interferon signalling and other inflammatory cytokines.

The importance of evidence for the nasopharyngeal lymphatic plexus functioning as a CSF outflow hub is highlighted by its regression during ageing. Yet, the ageing-resistant pharmacological activation of deep cervical lymphatic transport towards lymph nodes can still increase CSF outflow, offering an approach for augmenting CSF clearance in age-related neurological conditions in which greater efflux would be beneficial.

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